Some of the most popular films at CFF41
All the Beauty and the Bloodshed |
|
|
all the beauty and the bloodshed | What a stunning first full day of the Festival we had on Friday. Thank you to everyone who joined us. The award-winning films continue with tonight's screening of Ruben Östlund's second Palme d'Or winning feature, TRIANGLE OF SADNESS, which is nearly sold out, so book your tickets now. Don't worry too much if you miss out though, because we are thrilled to welcome director Neil Maskell, producers Helen Simmons and Stephanie Aspin, and star Sura Dohnke for a Q&A of his new film, the gripping thriller KLOKKENLUIDER. Your Gala Screening tomorrow night is the Venice Golden Lion-winning ALL THE BEAUTY AND THE BLOODSHED. An epic, emotional and interconnected story about the internationally renowned artist and activist Nan Goldin told through her slideshows, intimate interviews, ground-breaking photography, and rare footage of her fight to hold the Sackler family accountable for the US opioid crisis. | | At 10:45 tomorrow morning is your last chance to see Catalan director Maria Ripoll's second CFF film, the hilarious WE WON'T KILL EACH OTHER WITH GUNS, programmed and introduced by Camera Catalonia programmer Ramon Lamarca. For families, the winner of the Cristal Award for a Feature Film at the Annecy Festival, LITTLE NICHOLAS, HAPPY AS CAN BE is a beautiful hand-drawn animation which tells the story of the invention of cheeky schoolboy Nicholas and his classmates by writer René Goscinny and cartoonist Jean-Jacques Sempé. |
|
|
Cambridge Film Festival is presented by Cambridge Film Trust, a registered charity with a mission to foster film culture and education for the benefit of the public, in Cambridge and the Eastern region but also throughout the UK | | By becoming a Friend or Patron of Cambridge Film Festival you support not only the UK’s third longest-running film festival but also a year-round programme of activities and events bringing the best British and independent international cinema to Cambridge. | |
|
|
