The other day I was sharing with my community of other creative entrepreneurs about how I was feeling stuck about getting into my editing, partly because that meant turning my back on the world like Miles Davis did when he performed, and going into the dark cave of creativity.
It also means stepping away from the business development planning that I'm in the middle of, getting ready for 2021, and daydreaming that future.
One friend asked me what would I tell one of my clients who are in this situation -- the situation of not being able to get to their editing, and feeling torn between their book and work helping others.
The answer came right to mind.
The answer was, and is, to reconnect with my WHY. -- Why am I writing this book? -- Why is it important to me? -- Why is it important to the greater society? -- And really what am I really trying to say?
As I sink into these answers, I feel frustrated, at a loss, confused, and muddled.
What's really coming up for me is who am I to be addressing these issues?
Who am I to be addressing the issues of the haves and the have nots?
And what am I really trying to say in this book? (Yes, this again.)
All these questions give me a way into my book.
One of these questions has already sparked a next step for me. And that is all I really need to get moving.
I personally love the question about what am I really trying to say in this book.
Maybe what I think I'm trying to say is not actually what is going on. And this points to what's going on under the surface, in my subconscious.
This question invites me to pull some cards from my favorite muse deck these days: the MYTHULU card deck.
I'll do it right now. While you're watching LOL :)
What does this book want to say?
This is a more powerful question and one that I got from Mark David Gerson, another writing teacher.
-- What this card tells me is I need to do the work of transforming my book into the next thing, that thinking about it is actually not going to help me discover the answer. I actually need to edit the book. (D'uh, right?)
This book also invites me to do the hard work of deleting the things that are slowing the story down and honing in on the core points.
One of my challenges right now is the realization that my precious words need to be deleted.
I have worked so hard to get the book to this level, only to realize that I need to cut some things.
Luckily I have a "cuts" file. So all that I will cut will be there, if I ever need it again.
Card #2: "Klepto. Steals for the fun of it. Compulsive, even when they don't need or want what they're taking."
-- OMG. I can relate. But how does this relate to my book specifically?
Well, as it turns out this book is about a heist. This actually gives me some insight into one of my villains and reminds me to hone in on their motivation, and maybe do some more back story notes on them, and work out how one of my villains got involved with the second villain.
Yep, I have three villains in this story who all work together to make the heist happen. This is one of the challenges of the book. I have three villains and the stakes are high.
The story opens with one of my main character's coworkers dead because of the heist. And that is only the first death of several in this book.
Reminder: I am writing murder mysteries.
This reminds me that this book has higher stakes and is more complicated than the first two, so it makes sense that it would be more challenging.
Why would I want it to be the same as the first two?
Of course I would make it harder! That's what we do :)
Even though much of the writing and editing process has gotten easier over the years -- this is my 15th book -- editing is still a challenge.
This time around, it looks like my lesson is really about managing my expectations and reminding myself that it is a challenge, and that's what I signed up for.
That's one of the things I love about being a novelist -- it's always a complex problem to solve on many level: logical and emotional.
Dealing with human nature is always messy.
Card #3: "Scar: physical manifestation of resilience. Hints at how something has been spent."
-- Interesting. This makes me think about the scars each of my characters and how scars are often hidden from others.
This idea invites me to brainstorm on the scars each of my characters, how they hide them, why they hide them, or maybe they don't hide them and carry their scars proudly.
I'm actually excited to explore this in backstory notes. The notion of scars adds another dimension to all my players, especially to my main character and the important secondary character.
There you go.
I just illustrated for you how I get unstuck and excited again about the editing process. With this brainstorm I just explored, I now have some things to focus on when I sit down to edit and revise Gone Green, that will be out next spring.
Learning Your Internal Processes
A big part in learning how to edit your own novels is learning your internal processes for getting unstuck.
We offer a customized experience for you, that includes the Edit Your Novel course and monthly calls to come together as a community and get discerning individualized support in an intimate community of dedicated novelists.
We are running an early enrollment bonus right now in advance of 2021.
The bonuses comes with a lot of extras, including having me look at your manuscript and discuss it with you.
Hit reply and let me know your WHY. I'd love to hear.
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