A large still-life painting hung on the wall above Lilka Elbaum’s childhood bed in Lodz, Poland. This painting hung on this very spot perhaps since the building was first inhabited in the late 1890s. Until the war these were Jewish families, then during the war, a German family, and then after the war, Lilka’s Jewish family. Hence, the painting ultimately became a silent witness to the tragic history of Lodz’s Jews.
The painting was removed from the apartment in October 1968, when Lilka’s family, along with the majority of Polish Jews, were expelled from Poland. In the film “Still Life in Lodz”, the metaphor of the painting is used to tell the story of Lilka Elbaum, now living in Boston, who returns to Lodz in search of objects from her memory.
DIRECTOR: Slawomir Grünberg WRITERS: Lilka Elbaum, Slawomir Grünberg |